陶渊明的《饮酒·其五》因其表现的“无我之境”成为中国文学的杰作。作品的无我之境集中体现为“见”字的使用,苏轼于此有“发明”之功。围绕此诗的“见”、“望”之辨经历了一千多年,业已形成了一个极富意味的学术公案。这一公案蕴含了若干重要的文学理论问题,如“诗史互证”的有效性、伟大诗人的影响焦虑、文学经典的“被发明”等。 Tao Yuanming’s “Drinking Five” has become a masterpiece of Chinese literature because of its performance of “no self”. The myth of the works is embodied in the use of the word “See”, where Su Shi has the power of “invention”. Around this thousand years of “poetry” “see ”, “hope ” has been the formation of a very rich academic case. This case contains a number of important theoretical issues in the literature, such as the validity of the mutual evidence of poetry and history, the anxiety of the great poets and the invention of the literary classics.