赋、比、兴做为《诗经》中所常用的三种表现手法,可谓各司其职。如果说,兴贵在情韵的生发,比旨在意念的表达,那么,平铺直叙、遍举无遗的赋才是建构故事框架的骨肉。当然,在《诗经》叙事的文本中,赋比兴之运用常常是妙和无垠的,有时是赋中有比,有时是比中有兴,有时是赋中兼有比兴,这里只为叙述的方便而分言之罢了。一般而言,在人们的心目中,兴与比更能 Fu, than, Xing as the “Book of Songs,” the three expressions commonly used practices, can be described as its own merits. If we say that Xing Xing is in the stage of development of love rhyme rather than expression of intent, then the straightforward and endless funeral is the framing of the story framework. Of course, in the narrative texts of The Book of Songs, the use of Fu Bei Xing is often wonderful and boundless. Sometimes it is more or less endowed, sometimes more or less prosperous, The convenience of the argument nothing more. In general, in people’s minds, Xing and better than