一、宋元枯笔传统枯笔,亦称干笔、渴笔、焦笔,所谓枯、干、渴、焦皆是形容笔中含水量少。此称谓虽含有用笔之意,然实为运墨之法《。林泉高致·画诀》有记:“墨之用如何?”答曰:“用焦墨,用宿墨,用退墨,用埃墨,不一而足,不一而得。”(1)后来唐岱《绘事发微》讲:“墨色之中,分为六彩。何为六彩?黑、白、干、湿、浓、淡是也。”(2)华琳在《南宗抉秘》中称“墨有五色:黑浓湿干 First, the Song and Yuan Era Traditional pen, also known as dry pen, thirst pen, coke pen, the so-called dry, dry, thirst, coke are all described pen less water content. Although this title contains the meaning of the pen, in fact, is the law of the transport of ink. ” Lin Quan Gao Zhijiao tactic “a note: ” ink how to? “Answer: ” with coke ink, with accommodation ink, with ink, with ink, different, but one after another. “(1) Later, Tang Dai” painted matter micro “say: ” ink color, is divided into six colors. What is the six color? Black, white, Hualin in the “South SONG Jue Mi” said "ink has five colors: black thick dry