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在女性主义电影理论中,劳拉·穆尔维的理论创见占有重要一席。她以精神分析理论为基础,探索了叙事电影,尤其是好莱坞电影中“看”的性别分工位置以及文化价值,即“看”作为一种意识形态形构,处于“被塑造”的状态;“看”产生快感并促使观看癖自恋的发生。而自恋的心理基础在于拉康“镜像阶段”理论所阐说的因错误识别而导致的主体想象性呈现。所以,毁灭“电影快感”就意味着反抗与革命。
In feminist film theory, Laura Mulvey’s theory of creative ideas occupy an important place. Based on the theory of psychoanalysis, she explores the gender division of labor and cultural value of narrative films, especially “movies” in Hollywood films, that is, “seeing” as an ideological structure in which “ ”State; “ look ”to produce pleasure and promote the appearance of addiction narcissism. However, the psychological basis of narcissism lies in the main imagination presented by Lacan ’s “mirror stage” theory as a result of misidentification. Therefore, the destruction of “movie pleasure” means resistance and revolution.