以阅读阿来文学三十年来的体验,坦率地说,回到地表的阿来,在泥土与阳光之间匍匐写作的阿来,其文学更可爱,更暖心润肺、明目养神。我觉得阿来的写作有三种姿态,一是扎进历史的深处,头拱地、寻矿脉的写作,二是痴迷神话的力量,驾祥云、飞上天的写作,三是立足群山的波涛,回归地表、悲悯众生的写作。三种姿态都有意思,都漂亮,都有不错的成绩。不过,比较而言,我真的还是更喜欢他回归地表的民间姿态所带来的一路欣喜。先说第二种姿态,代表作是长篇《格萨尔王》。不过,那不是他计划中的写作,是被一个出版计划弄出来的“被写作”。相对于藏区别的作家们关于格 To read the experience of Allamanda for three decades, frankly, Ah Lai, who came back to the earth’s surface and wrote a prostration between the earth and sunlight, is more avant-garde in literature and more heart-warming lungs and eyesight. I think Ah Lai’s writing has three stances. One is to plunge into the depths of history, the arch of head and the writing of veins. The other is the power of obsessed with mythology, , Return to the earth, mercy beings writing. Three gestures are interesting, all beautiful, have a good result. However, in comparison, I really still prefer his return to the surface of the folk attitude brought joy. Let me talk about the second gesture, the representative is a long “King Gesar.” However, it was not his planned writing, it was written “by a publishing plan.” Different from the Tibetan writers about the grid