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2014年3月,西安交通大学博物馆展示了由书法家钟明善教授捐赠的一百余件文物,其中《大唐故寿光公主墓志铭并序》拓片引起了人们的关注。虽然,拓片的旁边也配有学者的释读,但此释读只是从艺术的角度论证墓志铭的书法及花纹的精美,且录文、断句也有不妥之处。本文在此基础上,对墓志铭重新录文、断句,拟将正史资料和墓志相结合,对相关问题予以探讨,祁请方家指正。寿光公主系唐玄宗第二十二女,《新唐书·诸帝公主》仅有“寿光公主,下嫁
In March 2014, the Xi’an Jiaotong University Museum displayed over one hundred pieces of artifacts donated by the calligrapher Professor Zhong Mingshan. Among them, ”the epitaph and the preface of Princess Tang Shouguang’s pagoda“ have attracted people’s attention. Although the rubbings are accompanied by the interpretations of the scholars, the interpretation of the epitaphs is only an artistic exposition of the calligraphy and the exquisite patterns of the epitaphs. On the basis of this, this essay tries to re-write the essays and sentence-breaking the epitaphs, intends to combine the historical records with the epitaphs, and discusses related issues. Princess Shouguang is the twenty-second daughter of Emperor Xuanzong, ”New Tang Dynasty Princess“ only ”Princess Shouguang, marry