晏殊《珠玉词》园林书写常融于他的闲情词、离情词、咏物词等题材创作中,表现出闲雅有哲思的特质,他于园林书写过程中展露的情绪和思考,使园林成为其情感、哲思的载体。园林内外的晏殊呈现出殊异的形象/人格:园林内闲雅多思的词人与园林外(庙堂上)正直刚烈的宰辅,这是晏殊在个人审美追求与社会伦理矛盾中所进行的自我形塑和自觉追求。园林之于晏殊的生命意义,是情感的载体,是内心的省思和观照,更是自我实现、追求自然天性和个人审美的进路。 Yan Shu’s “Zhu Yu Ci” garden writings often blend in his Leisure Words, from love words, Yong Wu Ci and other subject matter creation, showing elegant and philosophical qualities, his emotions and thinking revealed in the garden writing process, making the garden Become a carrier of their emotions and philosophies. Yan Shu inside and outside the garden presents a distinctive image / personality: idyllic poets in the garden and outside the garden (on the temple) upright and vigorous Zai Fu, which is Yan Shu in the aesthetic pursuit of personal and social ethics contradictions carried out by the self Shaping and conscious pursuit. The meaning of the garden to Yan Shu’s life is the carrier of emotion, the reflection and reflection of the heart, but also the way of self-actualization, the pursuit of natural instinct and personal aesthetic.