中国人遵循天人合一的思想模式,很早就养成对自然景物的敏感,常常体验着自然物象的人间意义和诗学情趣。“美感的世界纯粹是意象世界。”(朱光潜语)对影视艺术而言,“意象”这一美学范畴犹如在传统文学中一样,同样体现了传统的民族形式和艺术风格。从上个世纪80年代起,全国各地都涌现出一大批电视纪录片创作者,特别是在中国的西部,崛起了一批优秀的纪录片创作人才。内蒙古电视台就出现了以额尔德尼为代表的纪录片创作团队。作品主要反映草原人民的历史和现实生活,展现草原地域特有的传统与现代、物质与精神、自然与人文以及民风民情、生产生活方式, Chinese follow the thought of the unity of nature and mankind and have long developed sensitivities to the natural scenery, often experiencing the human meaning and poetic taste of natural objects. “The world of beauty is purely a world of images.” (Zhu Guang-hau) For the art of film and television, the aesthetic category of “imagery”, as in traditional literature, similarly embodies the traditional national forms and artistic styles. Since the 1980s, a large number of television documentary authors have emerged in various parts of the country. In particular, in western China, a number of excellent documentary film writers have emerged. Inner Mongolia television station appeared Erdini represented documentary creation team. The works mainly reflect the history and real life of grassland people, displaying the tradition and modernity of grassland, material and spirituality, nature and humanity, folk customs, production and life style,