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在当代,“边缘”一词的使用率越来越高,且“边缘”已成为文学批评和文化研究领域风头正健的关键词。但是,学界对于“边缘”的存在理由、定义这些形而上的根本性问题却鲜有人问津,对由边缘文化日趋盛行而渐显的“边缘美学”学理上的关注更显得不足。文章试图从“差异原则”、“时空流变性”和“生存论内涵”三个层面,来建构“边缘”的文化内涵,并以此对“边缘美学”的核心层进行概述。文章宗旨在于,探寻“边缘”及“边缘美学”的学理内涵有利于人们以一个合理的视角,对当下复杂的文化现象有更深入的理解和客观的评判,并以崭新的美学视野对边缘文化进行深度解读,进而开拓文化研究的新路径。
In the contemporary era, the use of the term “edge” is getting higher and higher, and “edge” has become a thriving keyword in literary criticism and cultural studies. However, academics rarely justify the existence of these “metaphysical” problems, but pay little attention to the “aesthetic marginalism” which is gradually being emphasized by the fringe cultures. The article tries to construct the cultural connotation of “marginal ” from three aspects of “principle of difference ”, “time and space rheological ” and “existential connotation The core of the overview. The purpose of this essay is to probe into the theoretical connotation of ”marginal “ and ”marginal aesthetics ", which helps people to have a more in-depth understanding and objective judgment of the current complicated cultural phenomena from a rational perspective and with a new aesthetics Vision to deeply interpret the fringe culture and further develop a new approach to cultural studies.