李大钊早期著作充满着复杂性和神秘性。长期以来,有很多学者提出了各种各样的解释来试图阐明他早期思想的特色及来源。笔者经过考察发现,对李大钊的早期思想产生最大最直接影响的是日本评论家茅原华山的一系列著作。更具体地说,以《青春》为代表的李大钊著作所表现出的时间观、历史观、文明观,是直接受了茅原华山的《悲壮精神》、《人类生活史》及其主办的《第三帝国》杂志的影响。李大钊早期著作所具有的茫漠及难解,也只是所依据的茅原华山著作的茫漠性及难解性的反映。李大钊的早期思想与茅原华山的奇异交错,给我们分析中国1910年代思想史提供了一个有利的暗示,即1910年代的中国知识分子卷入到同时代的世界思潮中,并与世界思潮紧紧结合在一起。 Li Dazhao’s early writings are full of complexity and mystery. For a long time, many scholars have put forward various explanations to try to clarify the characteristics and sources of his early thoughts. After investigation, the author found that the biggest and most direct impact on Li Dazhao’s early thoughts was a series of writings by Japanese critic Mao Huashan. More specifically, Li Dazhao’s work represented by “Youth” represents the concept of time, history and civilization directly influenced by Mao’s Huashan’s “tragic spirit,” “history of human life,” and its “ Three Empires ”magazine. Li Dazhao’s early writings with the indomitable and intractable, but also only based on the original book Huashan Maori’s desertity and incompatibility reflects. The early thought of Li Dazhao and the strange interlacing of Mao Yuan Huashan provided us with a favorable suggestion to analyze China’s thought history in the 1910s that the Chinese intellectuals of the 1910s were involved in the contemporary world trend and closely integrated with the trend of the world Together