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本文对唐诗中48个单字具有平去两读义同又兼一读(或两读)义别的音义关系及其用法进行了论证,结论是:1.这48个字绝大多数是上古平声字,魏晋南北朝时期又有了声韵相同的去声,于是诗作中开始出现了一字平去义同兼义别的用例,到唐诗中获得了空前的发展。2.这48字具有两读义同特点的义项分为两类:一类是本义,一类是引申义,其余义项则分用平或去的一读来表示,于是构成一字平去两读而义同、义别相兼的音义关系。既基本上显示了各字的义项有本义与引申义的区别,又显示诸义词性的不同,这与诸字声韵相同而调不同的语音密切关系是两相对应的。如果理解诸字在唐代的音义关系以及到现代的音义变化规律,我们就可以准确解释诸字在唐诗中表示义同时的两读,表示义别时的一读。只有理解诸字在唐代的音义关系以及到现代的音义变化规律,才可以准确解释诸字在唐诗中表示义同的两读,表示义别的一读,进而分析唐诗的平仄律式和体格。3.这种音义关系和特点最大限度地满足了唐代诗体声律的需要,为诗人依律审音用字提供了更为自如的选择余地,对唐代诗律的形成和繁盛起了促进作用。唐以后这种用法明显衰减。
This paper demonstrates the relationship between the semantic meanings and the usage of 48 words in the Tang poems with the meaning of " In the period of Wei, Jin and Southern and Northern Dynasties, there was a sound of the same rhyme. Thus, there began to be word-mean, unjust, and other use cases in poetry, and unprecedented development was achieved in the Tang poetry. 2. The 48 words have the meaning of two senses with the same characteristics are divided into two categories: one is the original meaning, one is extended Shen Yi, the remaining meaning is divided by flat or to the first reading to express, so constitute a word Ping to two Reading and righteousness, righteousness and the relationship between sound and meaning. It not only shows the difference between the original meaning and the extended meaning of the meaning of each word, but also shows the difference of the part of speech, which is corresponding to the close relationship of the same and different phonetics. If we understand the relationship between the phonetic meaning of the characters in the Tang Dynasty and the law of the sound and the meaning of modern times, we can accurately interpret the two readings of each character while expressing righteousness in the Tang Poetry, and mean a first reading when we say goodbye. Only by understanding the relationship between the phonetic meaning of the various characters in the Tang Dynasty and the law of the sound and the meaning of the modern era can we accurately interpret the two readings of the same meaning in the Tang poems and the first reading of the good in the Tang poetry, . 3. This relationship between sound and meaning and the characteristics of the Tang Dynasty to maximize the satisfaction of the need for poetic style of rhythm, poet in accordance with the ruling pronunciation provides a more free choice, the formation and prosperity of the Tang poetry played a catalytic role. After Tang this usage decayed obviously.