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原型概念通过柏拉图、列维-布留尔、荣格和诺斯洛普·弗莱的阐释逐渐得以明晰。原型可以是原型意象、主题、象征、人物或结构单位,具有在作品中反复出现等特征。原型体现的是一种文化心理结构和基本价值观。本文运用原型理论,分析黄梅戏电影音乐通过传统黄梅戏音乐原型复现和生成的途径达到黄梅戏电影音乐民族化、现代化和通俗化的目标追求。最后指出黄梅戏音乐社会认同的深层心理机制和当代戏曲电影创作可资借鉴的密码。
Prototype concepts are gradually being articulated through the interpretations of Plato, Levi-Boullier, Jung, and Northrop Frye. Archetypes can be archetypal images, themes, symbols, characters or structural units, with features recurring in the composition. The prototype reflects a cultural psychological structure and basic values. This article uses the archetypal theory to analyze the Huangmei opera film music through the traditional Huangmei opera music prototype reproduction and generation ways to achieve the huamei movie music nationalization, modernization and popularization of the pursuit. At last, it points out the deep psychological mechanism of Huangmei Opera’s social identity and the password that contemporary Chinese opera film can learn from.