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辽金戏剧是中国古代戏曲发展中的一个关键环节。有的论者在研究辽金戏剧时,往往将它独立于宋代戏剧发展链条之外,笔者以为不妥。辽金戏剧的演出形态、价值指向、艺术追求皆与宋杂剧风格相近,且早期南戏作品中,尚有金院本之遗存。本人还于金人王寂《戏题卧榻围屏四幅》诗四首中,发现根据大曲所叙故事而绘成彩色图画的记载,并由用曲习惯推测,其近似于《武林旧事》所载“官本杂剧段数”。用大曲演唱故事,符合宋、金杂剧表演之规制,为宋、金戏剧的进一步深入研究开拓了空间。
Liao and Jin Drama is a key link in the development of ancient Chinese drama. Some scholars in the study of Liao and Jin plays, often it is independent of the chain of development of the Song Dynasty, I think it is not appropriate. The performances, value points and artistic pursuits of the Liao and Jin plays are all similar to those of the Song and Opera genres. I also in the King of the King of silence, “themed couch around the screen four” four poems, found in accordance with Daqu narrative story and painted a color picture of the record, and by the song used to speculate that its approximate “Wulin old things” contained “The number of official drama” . Singing the story with Daqu is in line with the rules of performing performance of Song and Jin Zaju, opening up space for further research on Song and Jin plays.