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20世纪90年代以来内蒙古摄影作品集的主旨,是在有限的二维空间内,蕴涵着草原文化现时态、历时态、共时态的丰富内涵。草原文化,是关于生命的文化,其精髓是尊重一切生命。尽管从现时态的草原文化看,为保护或挽救生存环境而呐喊是一切有良知的内蒙古摄影家由衷的激情,但其中渗透着的共时态的豁达精神仍然依稀可见,这是在历时态的生命磨难中形成并沉淀下来的,是草原文化耐人寻味之处!
Since the 1990s, the theme of photographic works in Inner Mongolia has contained the rich connotation of the present, diachronic and total tense in the grassland culture in a limited two-dimensional space. Grassland culture is about the culture of life, its essence is respect for all life. Although from the current state of grassland culture, crying out to protect or save the living environment is the heartfelt passion of all the conscientious Inner Mongolia photographers, but the open-ended communal spirit of open-mindedness is still vaguely visible, Formed and precipitated in the hardship of life is the place where the culture of grassland is worth exploring!