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观念艺术以装置、行为、影像为代表,在西方发端于20世纪50年代末60年代初,强调艺术作品与被给定的场所的关系。目前,它在中国大陆,已经越来越受到像“上海双年展”之类代表中国当代艺术水平的展览的关注。90年代以来,成都的观念艺术,在总体上呈现出三大特征:生态关怀、人文意指、场景凸现。戴光郁、张华、刘成英、曾循、余极、尹晓峰、朱罡和周斌几位艺术家,于1997年10月在四川都江堰,举办了“本源·生命”艺术展;当年底在成都漆器厂原址,举办“复制时代的人”观念艺术展;1998年8月在四川省图书馆,举办“捍卫记忆”艺术展;1999年7月在成都澳深花园住宅小区,
Conceptual art, represented by installation, behavior and video, started in the West in the late 1950s and early 1960s and emphasized the relationship between works of art and their given places. At present, it has attracted more and more attention in Mainland China, for exhibitions representing contemporary Chinese art such as “Shanghai Biennale.” Since the 1990s, the concept art in Chengdu has shown three major characteristics as a whole: ecological care, humanistic meaning and scene highlighting. Several artists, including Dai Guangyu, Zhang Hua, Liu Chengying, Zeng Xun, Yu Ji, Yin Xiaofeng, Zhu Gang and Zhou Bin, held the art exhibition “Origin and Life” in Dujiangyan, Sichuan Province in October 1997. At the end of that year, In the original site, held “concept of copy of the people” art exhibition; August 1998 in Sichuan Province Library, hold “defend memory” art exhibition; July 1999 in Chengdu Aoshen Garden residential area,