有岛武郎以其清新的欧式文风和对人道主义的独特见解,成为大正民主主义风潮中一盏不灭的明灯。同时,有岛武郎饱受灵肉二元世界的折磨,由虔诚的基督教徒转变为追逐“本能生活”的殉葬者,其“背教文学家”的定位也是学术界一直关注的焦点问题之一。在日本民族普遍的泛神论自然观与基督教“人类中心论”的冲突下,有岛武郎成为了东西方文明碰撞与融合的一个交汇点。本文试图以1907年有岛武郎退出教会以后的作品为线索,通过考察作者对于自然的本质、人类的生存价值的看法,得出了以下结论 :自然的本质是美丽和庄严的,近乎完美;人类的本性虽然丑恶,但这并不否定其生存的价值,人类只有在创造中才能继续繁衍。 Takeuchi Takeuchi, with his fresh European style of writing and his unique view on humanitarianism, has become an immortal light in the Dzong democracy. At the same time, there is torture of Myojima Isao from the dualistic world of spiritual meat, from a devout Christian to a sacrificial person chasing after “instinctual life ”, and his “backward literary” position has also been the focus of academic circles all along One of the problems. Under the conflict between the popular view of pantheism in Japan and Christianity and “anthropocentrism”, Uchimaru Island has become a meeting point for the collision and integration of Eastern and Western civilizations. This article attempts to cite the works after the withdrawal of Urijima Hiromichi from the church in 1907 as a clue. By examining the author’s opinions on the nature of nature and the value of human existence, the following conclusions are drawn: the essence of nature is beauty and dignity, which is almost perfect; Although its nature is ugly, it does not deny the value of its existence. Only by creating can mankind continue to multiply.