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随着叙述模式的演变,中外文学中出现了异于传统的聚焦方式。鲁迅散文诗集《野草》中的《死后》和爱伦·坡的短篇小说《失去呼吸》是其中有代表性的创作。两篇作品的创作时间和社会背景相去甚远,题材和叙述角度却十分相似。怪诞的创作风格带来全新的文学体验,本文试图比较《死后》和《失去呼吸》两篇文学作品,来分析这种超理性的风格带来的审美价值。
With the evolution of the narrative model, different forms of focus have emerged in Chinese and foreign literature. Lu Xun’s collection of prose poems “Weeds” after “death” and Allan Poe’s short story “Lost Breath” is one of the representative creation. The writing time and the social background of the two works are far apart, and the themes and narrative angles are very similar. The eerie creation style brings a new literary experience. This article attempts to compare two literary works “after death” and “loss of breath” to analyze the aesthetic value brought by this super-rational style.