保罗·德·曼是美国老资格的文艺理论家。保罗·德·曼对于华兹华斯研究虽然著述不多,但在一般的华兹华斯研究者看来,这不多的理论著述却深刻反映了保罗·德·曼的文艺批评思想。通过对于德·曼不多的几篇华诗研究专论的再阅读,可以得出这样的结论:德·曼在华诗的研究过程仍然沿用英美老派的新批评方法,采用文本分析的策略,对于以华兹华斯为代表的浪漫主义诗学进行了新的审视。其目的不在于颠覆浪漫主义诗学的自我表征特征,而在于将浪漫主义诗学中具有统一倾向的一些核心命题组进行了一定程度的界定。这样做的结果,并非同一般研究者所认同的那样,消解了华兹华斯诗学的意义;正相反,保罗·德·曼的华诗研究凸现了华兹华斯诗歌创作的各个层面的内容,丰富了华兹华斯诗歌的哲学和美学内涵。 Paul de Mann is a veteran literary theorist in the United States. Although Paul De Mann’s writings on Wordsworth’s study are not many, in the opinion of General Wordsworth researchers, the limited theoretical writings profoundly reflect Paul De Man’s literary criticism. By re-reading a few articles on German and Chinese poetry, we can conclude that Deman’s Chinese poetry still follows the new criticism of the Anglo-American old school and adopts the method of text analysis. A new look at romantic poetics, represented by Wordsworth. The purpose is not to subvert romantic self-expression characteristics of poetics, but rather to have a certain degree of certainty in the central tendency groups of romantic poetics. The result of this did not mean that Wordsworth’s poetics was dismissed by the same researchers. On the contrary, Paul Deman’s research on Chinese poetry highlighted all aspects of Wordsworth’s poetry Content, enriched Wordsworth’s philosophical and aesthetic connotation.