马书林用水墨写意京剧人物,追寻的是一种民族文化的审美心理。中国传统艺术,大多不是再现性的,不仅不是对现实生活的真实还原,而且还要疏离真实。就京剧艺术而言,唱腔和脸谱都提示了演员与观众和剧中角色之间的距离,这种审美距离才是中国京剧艺术的灵魂。这和西方戏剧不同,幻觉 Ma Shulin used ink and wash of Beijing opera characters to pursue the aesthetic psychology of a national culture. Most of China’s traditional arts are not reproducible, not only for the real reduction of real life, but also for alienation from reality. As far as Beijing Opera is concerned, both aria and Facebook show the distance between the actors and the audience and the characters in the play. This aesthetic distance is the soul of Chinese opera. This is different from Western drama, hallucinations