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表演式抗争是当前“政治机会结构”语境下正在兴起并蔓延的一种新的抗争观念和形式。在剧目结构的设计上,表演式抗争转向了表演性的、视觉化的、戏剧性的“图像政治”途径。“图像政治”的基本修辞实践体现为对特定文化仪式的征用,而沉淀在文化仪式深层的符号体系是一个时代普遍共享的原型意象。表演式抗争文本并非对原型意象的直接临摹,而是强调符号结构中视觉“刺点”的生产,及其聚合轴上的组分再造与置换,其结果就是制造了一种或悲情,或戏谑,或幽默的“再生文本”(reproduced text)。“仪式抗争”从社会心理层面揭示了文本意义的发生机制及修辞原理,因而构成了我们认识表演式抗争的一种非常有效的分析范式。
The performance-based protest is a new concept and form of resistance that is emerging and spreading under the current “political opportunity structure.” In the design of the repertory structure, the performance-oriented struggle turned to a performing, visual and dramatic “political image” approach. The basic rhetorical practice of “Image Politics ” is embodied in the expropriation of a specific cultural ritual, while the symbolic system that is deeply rooted in cultural rituals is a prototype commonly shared by the times. The text of the performance-based warfare is not a direct copy of the prototype image but emphasizes the production of the visual “stab” in the symbolic structure and the re-creation and replacement of its components on the converging axis. The result is a kind of tragedy, Or joking, or humorous “reproduced text” (reproduced text). “Ritual Conflict ” reveals the mechanism of occurrence and rhetoric of text meaning from the perspective of social psychology, and thus constitutes a very effective analytical paradigm of our understanding of the performance-based struggle.