从历史上看,戏曲样式的更迭,戏曲艺术的创新与变革,常常是从音乐声腔上率先开始的。一个剧种的生命延续,在很大程度上取决于音乐唱腔是否合乎时代的审美意识和需求,取决于能否在新的历史条件和文化背景下,作出新的审美抉择。南曲之代替北曲,昆曲之胜过诸腔,如果没有明代音乐改革大家魏良辅的“判毫杪于翕张,别玄微于高下”“引商刻羽,循变合节”“尽洗乖声,别开常奥”的创新与变革,是不可想像的。正如张庚先生所指出的那样:“昆曲之所以胜过诸腔,在数百年中独领一代曲坛,正是因为出了魏良辅等一批革新家”。“南曲兴起代替了风靡一时的北曲,就是因为时世推移,旧时的听众已为一班新听众取代的缘故。这些新听众已不习惯北方声腔,而要求适合于他们的南方声腔,于是海盐、余姚、弋阳、昆山等腔就应运而生,新的逐渐代替旧的。”由此可见,剧种的兴衰与声腔的变革发展密切相关,而音乐唱腔的变革发展又与时代风尚和观众爱好密不可分。 Historically, the change of the style of the opera and the innovation and change of the opera art often took the lead in starting from the sound of music. The continuation of the life of a play depends largely on whether the music aria meets the aesthetic awareness and needs of the times, depending on whether new aesthetic choices can be made under the new historical conditions and cultural background. Southern song instead of the North song, Kunqu of victory over all the cavalry, without the Ming Dynasty music reform Weiliang Fu’s “sentenced to nothing at all, not subtle” Wash sound good, do not open the Austrian “innovation and change is unthinkable. As Mr. Zhang Geng pointed out, ”The reason why Kunqu Opera excelled its own style was that it was precisely because of a batch of innovators such as Wei Liangfu who had been leading the music generation for centuries.“ ”The revival of Nankai took the place of the all-time North Opera, because of the passage of time, when old listeners were replaced by a new class of listeners who had become accustomed to the northern vocal cords and demanded that they fit into their Southern vocal room, Haiyan, Yuyao, Yiyang, Kunshan and other cavities came into being, the new gradually replace the old. "Thus, the rise and fall of the opera is closely related to the evolution and evolution of the sound chamber, and the evolution of music and singing with the fashion and audience Love is inseparable.