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年轻艺术家李然(1983年生)擅于滔滔不绝的描述自己艺术创作中的每一个方面,这并不令人惊讶——最近两年,李然在视频创作中愈发依赖于语言和文本的对照。他使用建筑语言描述自己的艺术创作:一件作品就像一个房间,它既不应向观众关闭大门,也不该将他们逼入单一化阐释的死角;同样,这扇门不该永远敞开,也不能随便什么人都可到此一游。它应该处在一种深思熟虑后恰到好处的半开半掩状态,观者可以自由进出,但并非没有阻力。这样的比喻似乎相当适合艺术家在现实中
It is not surprising that young artist Li Ran (1983) is adept at describing every aspect of his art creatively - in the last two years, Li Ran has increasingly relied on language and textual contrast in his video production. He uses architectural language to describe his own artistic creation: a work is like a room, it should neither close the door to the audience, nor should they be forced to a single interpretation of the dead ends; the same, the door should not be open forever, Can not just anyone can come to this tour. It should be in a well-thought-out half-open state where viewers can move in and out freely, but not without resistance. Such a metaphor seems quite suitable for the artist in reality