论文部分内容阅读
毋庸置疑,中国画已经迎来了一个相对繁荣的时代。尚小勇这一代年轻画家的出现,标志着中国的传统书画艺术正在摆脱一个晦暗与守旧的身影。在这个信息时代的很多时候,国画与书法这种传统美学是与当代年轻人的审美相脱节的,从业者们也始终在为这些传统内涵得不到太多人的理解而困惑。那么,我们是为了接受去变革,还是继续站在古人的肩膀上蹒跚前行?
Needless to say, Chinese painting has ushered in a relatively prosperous era. The appearance of young painter Shang Xiaoyong this generation symbolizes that China’s traditional painting and calligraphy art is getting rid of a gloomy and conservative figure. Many times in this information age traditional Chinese aesthetics such as traditional Chinese painting and calligraphy is out of touch with contemporary young people’s aesthetics, and practitioners are always puzzled by the fact that these traditional connotations can not be understood by too many people. So, we are to accept the change, or continue to stand on the shoulders of the ancients hobble?