林白以“私人化”写作为主要的创作方式,然而在这种以女性身体和私密性经验为主的作品中依然不乏有对社会历史事件的描写,而女性的命运也就被置身于这个社会大背景之下。女性之美好与男性之丑恶都在为女性话语的表达而出力,形成对比强烈的二元对立模式,从而达到了女性对以男性为代表的政治历史话语的解构。这种解构在其作品中形象塑造上身上可以找到印证,如《致命的飞翔》 Lin Bai’s writing of “personalization” is the main mode of creation. However, there is still no shortage of descriptions of social historical events in such works based on female body and private experience, and the fate of women is also placed Under this social background. The beauty of women and the ugly of men are both contributing to the expression of women’s discourse to form a comparatively strong binary opposition, thus achieving the deconstruction of women’s political and historical discourse represented by men. This deconstruction can be found in the image of the body on which the body can find proof, such as “deadly flight”