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中国画可以说是我国传统艺术瑰宝中十分重要的一部分,和其余绘画形式最大的差异,就在于灵活应用墨和色进行不同情感基调映射。但是随着时代的进步,许多绘画主体开始倾重于利用西方三原色原理进行创作,对于中国画色彩的应用要点产生一定程度的忽视。须知色彩始终是中国画的核心内容,又是绘画艺术形式创新发展不可或缺的支持要素。在此类背景下,笔者决定针对中国画色彩观念和形成过程、色彩的艺术特征,以及不同阶段控制沿用模式等内容,加以有序论证解析,希望至此过后,能够激发出中国画更为强劲的生命活力,推动其创新化发展进程。
Chinese painting can be said to be a very important part of our country’s traditional art treasures, and the biggest difference with the other painting forms lies in the flexible application of ink and color to carry out the mapping of different emotional tone. However, with the progress of the times, many subjects of painting began to focus on using the principle of the three primary colors of the West for creation, which neglected the application of the color of Chinese painting to some extent. Notes Color is always the core content of Chinese painting, but also an indispensable support element for the innovation and development of the art form of painting. Under such background, the author decides to analyze the color conception and formation process of Chinese painting, the artistic characteristics of color and the control mode of different stages, and then analyze it in an orderly way, hoping that after this point, he will be able to stimulate more vitality of Chinese painting , To promote its innovative development process.