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本文讨论陈慧桦诗歌所蕴含的诗学上的几个基调。即为 :“非纯诗”的倾向、“写实”与“社会关怀”的“大地”诗社传统、雄伟的风格 (用词、写景、抒情、与视野 ,都与靡弱、纤细有所区隔 ) ,旅游诗的开放性格等。本文特别推介其诗歌中的亚洲“后殖民”记忆 ,许多隐藏在目今繁华背后的“殖民”历史的断斧残垣 ,得以在“后殖民”的记忆里存活。文末指出其晚近诗歌中在语言及诗叙述上的一些新尝试。
This article discusses the poetic sentiments contained in Chen Hui-hua’s poems. Namely, the tendency of “non-pure poetry”, the tradition of the “earth” poem society of “realistic” and “social care”, the majestic style (words, scenery, lyricism and vision, Interval), the open character of travel poems. This essay specializes in the memory of Asia’s “post-colonial” memories in his poems, and many of the “colonial” hidden behind today’s bustling history are able to survive in the memory of “post-colonialism.” At the end of the article, I point out some new attempts of language and poem narration in his recent poetry.