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《悲痛的往事》是乔伊斯短篇小说集《都柏林人》中描写成年人生活系列中的最后一篇,被认为是《都柏林人》中最精密、最复杂的故事,不仅有已叙述事件,更有未叙述事件无声地存在于叙事文本之中。女性主义叙事学家沃霍尔将未叙述事件按其不同表现和缘由划分为四类。通过解读《悲痛的往事》中的不必叙述事件、不能叙述事件、不应叙述事件和不愿叙述事件,读者能够将文本形式与叙述意图联系起来,考查叙述者的操控策略,挖掘文本内部的隐性情节。在读者的认知过程中,只有看清被“磨光的透镜”过滤掉的关于都柏林女性的未叙述事件,才能抵达这桩“悲痛的案件”和这件“悲痛的往事”背后的真实。
“The Painful Past” is the last of Joyce’s short story collection “Dublinians” in the series describing adult life, considered as the most sophisticated and complex story of “Dublinians,” with not only the narrated events, More unrecited events silently exist in narrative texts. Warhol narratologist Warhol will not describe the events according to their different manifestations and reasons into four categories. Through the interpretation of “sad past” without the need to describe the incident, can not describe the incident, should not describe the incident and reluctant to describe the incident, the reader can text form and narrative intent, to examine the narrator’s manipulation strategy, mining the text within the hidden Sexual plot. In the reader’s cognitive process, this “sad case” and the “sad story” can only be reached by looking at the undocumented incident about Dublin women filtered out by the “polished lens.” "Behind the truth.