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文章在简要论述小提琴正确的左手手型特征与重要性的基础上,系统总结了当前小提琴教学中左手手型的常见问题,包括左手手腕过于僵硬,容易托琴,左手手指间缺乏协调性,手指抬落不灵活,左手换把动作比较滞涩,不顺畅等,并据此提出加强手腕放松的训练,加强手指抬落、伸缩的训练,加强手指换把动作的训练等,由此为将来的小提琴教学活动提供必要的指导和借鉴价值。
On the basis of a brief discussion of the characteristics and importance of the correct left-handed handwriting of the violin, this article systematically summarizes the common problems of the left-handed handwriting in the current violin teaching, including the over-stiff left wrist, easing the harmonica, the lack of coordination between the left and right fingers, Lift is not flexible, the left hand for the action more stagnation, not smooth, etc., and accordingly proposed to strengthen the wrist relaxed training, strengthen finger lift, retractable training, strengthen the fingers for the movement training, thus for the future Violin teaching activities provide the necessary guidance and reference value.