在陕西历史博物馆(下文简称陕历博)收藏的数百枚铜镜中,唐代的鸾鸟(凤)镜以其优雅的造型、内涵丰富的纹饰、精雕细琢的工艺以及与女性生活的密切关系而显得尤为突出。这类铜镜的装饰母题以鸾鸟为主,或单独或与其它纹饰相结合,风格造型与盛唐时期饱满飞舞的纹饰特征相符合,直接或间接地抒发着在富庶繁荣的唐代社会中女性多元化的情感生活,以及对美好生活的向往和对男女情感 In the hundreds of bronze mirrors collected in the Shaanxi History Museum (hereinafter referred to as the “Shaanxi History”), the bronze mirrors of the Tang Dynasty, with their elegant shapes, The close relationship is particularly prominent. The decorative motif of these bronze mirrors is dominated by boobies or alone or in combination with other ornamentation. The styling of the bronze mirrors is in line with the ornamental features full and flying in the Tang Dynasty, directly or indirectly expressing the profound and prosperous society of the Tang Dynasty In the diversified emotional life of women, as well as longing for a better life and feelings of men and women