In China, artists born in the 1970s can always be identified by the variety and individuality of their works. Unlike the earlier generations who shared similar strong social and political beliefs, the younger generation of artists doesn’t really form schools with distinctive common features, such as the “scar arts” in the late 1970s, the “neoclassic” in the 1980s and the “new generation” as well as the “political pop arts” in the 1990s. Instead, they attach more importance to personal experience, inner conviction, and individual forms of presentation, resulting from the constantly changing social environment. Consequently, their works tend to be more diverged and alternative. In China, artists born in the 1970s can always be identified by the variety and individuality of their works. Unlike the previous generations who shared similar strong social and political beliefs, the younger generation of artists does not really form schools with distinctive common features, such as the “scar arts ” in the late 1970s, the “neoclassic ” in the 1980s and the “new generation ” as well as the “political pop arts ” in the 1990s. Instead, they attach more importance to personal experience, inner conviction, and individual forms of presentation, resulting from the constantly changing social environment.