艺术离不开情感,“以情动人”是戏剧艺术的重要特质。任何正确而新颖的思想,如果不通过强烈而真挚的情感,是不可能打动和说服观众的。在目前戏剧创作一般不乏正确思想的情况下,京剧《泰山铁罗汉》正是以浓烈酣畅、悲壮豪放的情感而引起人们的瞩目。它以“情”见长,靠“情”取胜,以“思想与感情和谐的统一”(高尔基语)而受到广泛的称赞。首先,在主题和题材的提炼上,它没有因袭武林故事中常见的那种行侠仗义、扶危济困等的陈规俗套;也摒弃了惊险打斗、绝处逢生等离奇场景的廉价追求。而是立足时代精神的高度,从塑造人物出发,着眼于人物内心情感世界的开掘和表达, Art is inseparable from the emotion, “touching with emotion” is an important characteristic of drama art. It is impossible for any correct and novel thought to impress and persuade the audience without strong and genuine emotion. At present, there is no shortage of correct ideas for drama creation. The Peking Opera “Taishan Iron Lohan” draws the attention of people with its strong and hearty, solemn and bold emotions. It is known for its “love”, its victory by “love” and its widely acclaimed “unity of thought and feelings” (Gorky). First of all, on the theme and subject matter refinement, it does not follow the stereotypes commonly known in Wulin’s stories, such as bravery, economic distress, and the like. It also abandons the cheap pursuit of bizarre scenes such as thrilling fighting and desperation. But based on the height of the spirit of the times, starting from the creation of characters and focusing on the digging and expression of the inner emotional world of characters,