作为一个人物画家,我经常和学生讲,画好了眼睛和手就成功了一半,因为眼神和手是绘画中最典型的肢体语言。学生经常会问,那另外一半呢?我说,是表情,是神态。一根线条的细笔勾勒,会牵动面部的微微一颤。你能读懂他的宁静、落寞还是忧伤。意会人物的表情,你就读懂了画者也读懂了画中的人物。画好人物不容易。我常常庆幸自己是个画家,可以以上帝的视角来琢磨我笔下人物的心灵,可以用我的理解来雕琢他的神 As a figure painter, I often talk to students about half the success of drawing eyes and hands because eyes and hands are the most typical body language in painting. Students often ask, which other half? I said, is the expression, is demeanor. Pen outline of a line, will affect the facial slightly Yi Chan. You can read his quiet, lonely or sad. Emotional expression of the characters, you understand the artist also read the painting’s characters. Drawing good people is not easy. I am often fortunate that I am an artist who can ponder over the soul of my character from the perspective of God and can use my understanding to carve his god