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威尔第是西洋歌剧史上最伟大的作曲家之一,他在歌剧创作中始终坚持意大利“美声唱法”的传统,同时又注重以音乐刻画人物性格和形象特征,增强戏剧性效果。因此,他的歌剧总是具有撼人心魄的音乐戏剧魅力。本文以他的作品《麦克白》《弄臣》《茶花女》《阿依达》《奥赛罗》中女主人公的咏叹调为例,探析威尔第在戏剧情节中生动刻画人物性格和心理特征的创作手法。综观其作品,他塑造的女主人公的形象具有以下特征。
Verdi is one of the greatest composers in the history of Western operas. He always adhered to the tradition of “Beautiful Singing in Italy” in his opera creation. At the same time, Verdi focused on portraying the character and image features of the characters with music to enhance the dramatic effect. Therefore, his opera always has a breathtaking musical theater charm. Taking the aria of the heroine in his works “Macbeth”, “The Lady of the Camellia”, “Aida” and “Othello” as an example, Verdi analyzes the characters and psychological characteristics vividly portrayed in the plot of the drama creative approach. Looking at his work, the image of the heroine he creates has the following characteristics.