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范尼·门德尔松(Fanny Mendelssohn)是西方音乐史不常被关注的女性作曲家。《新格罗夫音乐与音乐家辞典》对范尼作品作了如下的定位:“创作和弟弟风格相同的作品”。①而1846年至1850年间,出版商在出版范尼的“无词歌”时,为了趋从于当时社会费利克斯·门德尔松音乐的热潮,一致地以门德尔松·巴托尔迪这样一个姓氏来命名作曲家范尼的名字。这导致当时音乐界认为范尼作品与费利克斯音乐风格相同。本文通过对范尼音乐创作理念及创作特征的论证分析,试图证明范尼·门德尔松是独立的创作主体,并不是费利克斯音乐创作的附庸。
Fanny Mendelssohn is a female composer who seldom watches Western music history. The New Grove Dictionary of Music and Musicians has the following positions on the Van Nistelrooy: “Works with the same style as his brother ”. ① From 1846 to 1850, when publishers published Fanny’s “No-song”, in order to follow the craze of the social Felix Mendelssohn music at that time, A name like this is the name of the composer Ruud van Nistelrooy. This led to the music industry that Ruud works and Felix music style the same. This article tries to prove that Fanny Mendelssohn was an independent subject of creation and not a vassal of Felix’s musical creation through the argument and analysis of the concept and creative features of Ruudh’s music.