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自1988年4月英国学者迈克·费瑟斯通提出“日常生活的审美化”这个概念以来,学术界从不同的视角对此进行了深入的研究。在中国文艺理论界,“日常生活审美化”已经成为关注的热点。为了对“日常生活的审美化这一特殊的文化现象进行更深入的研究,我认为对近年的研究成果进行归纳整理和简单的评述是有意义的。目前,在美学和文艺理论界对“日常生活审美化”的研究主要是从三条路径进行研究的:其一,把“日常生活的审美化”看作是文艺学、美学学科研究的新兴亮点;其二,把“日常生活的审美化”看作是新现代性中国的一种“表征”;其三,把“日常生活的审美化”看作是人类社会的理想生存意境。
Since the British scholar Michael Featherstone proposed the concept of “aestheticization of daily life” in April 1988, scholars have conducted in-depth studies from different perspectives. In Chinese literary theory circle, “aestheticization of daily life” has become a hot spot of concern. In order to carry out a more in-depth study of the special cultural phenomenon of “aestheticization of daily life,” I think it is significant to summarize and summarize the research results in recent years.At present, in the field of aesthetics and literary theory, The study of “aesthetic appreciation of life” mainly studies from three paths: First, take “the aestheticization of daily life” as a new bright spot in the study of literature and art and aesthetics; secondly, take “the aestheticization of daily life” It is regarded as a kind of “representation” of the new modern China. Thirdly, “the aestheticization of daily life” is regarded as the ideal living conception of human society.