蔡广斌自新世纪以来陆续创作的被人称作“影像水墨”或“手工影像”的作品,从早期的《逝去》《窗,窥露》发端,到《陈海公路》系列、《东滩》系列、《江湾》系列等几组水墨与影像并置的作品,以及2011年继续以这种影像水墨创作方式完成的《白求恩》《热点·2010》等,直到近期的新作《他拍》《自拍》系列,几乎无一例外地受到批评界广泛而持久的关注。这些作品不仅以其对水墨媒介的创造性运用,将水墨材质的“内在力度感”发挥到一个新的极致而令人叹服,更以其摆脱庸俗的社会功利性,热 Cai Guangbin has been called the “Ink and Wash” or “Handmade Image” works since the beginning of the new century, starting from the early “passing” and “glimpse” starting to the “Chen Hai Highway” series, “East Beach” series, “Jiangwan” series and other juxtaposed works of ink and juxtaposition, and “Bethune” “Hotspot 2010” that continue to be created in this way of image ink painting in 2011. Until the recent new work “ His ”Selfie“ series, almost invariably, has received widespread and lasting attention from critics. These works, not only with their creative use of ink media, use their ”intrinsic sense of strength" of ink and ink materials to a new extreme and incredible, but also to get rid of vulgar social utilitarianism, hot