又遇到一块“花”料,乳白中含黄、褐、白等颜色,在一层白色与黄色之间有一条红线。凭经验我觉得这条红线很可能是一层红色。我用刀探刻,果然在白色下面是一层薄薄的红色。受那些黄色的启发,我想起了大沙漠,又联想起敦煌沙漠石窟中的彩塑和壁画。于是利用这层白色雕出一尊唐代风格的菩萨,红色雕成背后的佛光。章体上各种颜色正好似历经沧桑、色彩斑驳、模糊不清的壁画。就给它取名为“石窟风韵”。(图1) Encounter a “flower ” material, white with yellow, brown, white and other colors, there is a red line between white and yellow. With experience I think this red line is likely to be a layer of red. I use a knife to explore, it really is a thin layer of red under the white. Inspired by those yellow inspiration, I remembered the Great Desert and reminded me of colorful paintings and murals in the desert caves of Dunhuang. So use this white carved out of a Tang style of Buddha, the red carved Buddha light behind. Chapter color just like the vicissitudes of life after a variety of colors, mottled, vague murals. Give it the name “grotto charm”. (figure 1)