大写意花鸟画中的“大”字包容很多内容,它不是单纯的笔头大、墨块大,而是指大的境界、大的开合、大的气势、大的心胸,大家风范。我认为大写意花鸟画要宁直勿曲、宁方勿圆、宁涩勿滑、宁粗勿细、宁黑勿淡、宁整勿碎、宁厚勿薄、宁长勿短、宁稚拙勿草率、宁单纯勿繁琐,宁可画面上有这样那样的小毛病,也不要追求笔墨上的“十全十美”。大写意绝不是信手涂鸦,而是更注重细节的把握和处理,有时画大写意比画工笔还要细上几倍。成败在于细节,大写意也是如此, The “big” character in the freehand bird and flower painting contains a lot of content. It is not a mere pen, a big ink stick, but a big realm, a big opening and closing, a big momentum, a big heart, and everyone’s demeanor. I think the capitalist flowers and birds to be rather straight song, Ning Fang do not circle, rather than astringent slippery, rather thick, not thin, rather black, rather not broken, rather thick rather thin, rather long rather not short, rather naive Rush, rather than simple tedious, rather the picture there is such a small problem, do not pursue the ink on the “perfect.” Capital lettering is by no means a graffiti, but pay more attention to the details of the grasp and treatment, and sometimes drawing large freehand brushwork still fine fine times. Success or failure lies in the details, the upper case is the same,