明晴两代,尤其是清初,中国北方山乡僻野的戏台,表现出一种对舞台音响效果越来越重视的倾向。无名的剧场建筑师们,想了许多办法,来使舞台音效达到比较理想的境地。这种自发的努力受到经济条件与科技水平的局限。我们今天看起来微不足道的一些创造,也许他们要通过好几代人的工作 The Ming and Qing dynasties, especially in the early Qing and northern parts of China, showed a tendency to pay more and more attention to the stage sound effects. Unnamed theater architects, think of many ways to make the sound stage to achieve the ideal situation. Such spontaneous efforts are limited by economic conditions and technological level. We look a little trivial today to create, maybe they have to work through generations