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一、“长安画派”扬帆起航长安绘画,萌于两汉时期摩崖文图、石室壁画,历千载演化,世世终循其法。唐朝五代时期,长安绘画不乏其人,涌现阎立本、张萱、韩斡、韩混、周昉、边鸾、刁光胤、卫贤、李成,以及稍后的范宽,故有“长安绘画盛于唐”之渭。可惜,好景不长,北宋迁都开封,南宋京城东移临安,原居长安之众多丹青妙手纷纷迁徙豫浙。从此,长安绘画之地位一落千丈,销声匿迹千余载。 20世纪40年代,赵望云迁居西安,传播画艺,相继收黄胄、方济众、徐庶之等人为徒,奔走于西部苍茫荒凉之地绘画写生,使中国绘画出现了前所未有
First, “Chang’an School of painting ” set sail sail Changan painting, Meng in the Northern and Southern Dynasties Cliff Manchu, stone murals, thousands of years of evolution, the world’s final law. During the period of the Tang Dynasty and the Five Dynasties, there was no shortage of paintings in Chang’an. There were many paintings by Yan Liben, Zhang Xuan, Han Kuo, Han Hun, Zhou Xun, Bian Li, Diao Guangyin, Wei Xian, Li Cheng and later Fan Kuan. Sheng Tang "Wei. Unfortunately, the good news is not long, the capital moved to Kaifeng in the Northern Song Dynasty, the capital of the South Song capital moved to the east, many of the original dynasties in Danan migrant workers have moved to Henan and Zhejiang. Since then, the status of Chang’an painting plummeted, disappeared more than a thousand set. In the 1940s, Zhao Wangyun moved to Xi’an to disseminate the art of painting, and successively received the paintings of Huangpi, Fangzizhong and Xu Shuzhi and others in a desolate and wild land in the west, making Chinese painting an unprecedented hit