文章立足实地田野考察和传统金石学认为:中国古代墓志形式在与丧葬风俗、时风变迁之间的变化中,一是外在形式变化的内在体现了设计的“实用”特质,同时与审美密切相关;二是志文设计从章法文字的草草为之,到后来的力求于名匠名家的变化,也是墓志从一般的身份标识的简单功能,到“以俾后昆”等颂名思想的生动写照,凸显了艺术设计用与美炼合的本质。 Based on the fieldwork and the traditional petrology, the article holds that in the changes of ancient Chinese epic form and funeral customs and current wind changes, the inherent change of external form embodies the “practicality” of design, Aestheticism is closely related to; the second is the design of the essay from the drafting of the scriptural law to it, and later sought to change the famous masters, but also epitaph from the general identity of the simple functions, to A vivid portrayal of art and design highlights the essence of the United States.