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中国书画作为中国文化的产物和体现,深深扎根于我国博大精深的文化土壤中。中国文化的抽象意味一开始就给中国书画的创作、欣赏与批评以玄妙的定格。人类始祖对世界的认识从先民结绳记事到仓颉见鸟兽蹄迹初创书契,从半坡人面鱼纹图到“近取诸身、远取诸物,于是作《易》八卦,以垂宪象”(许慎《说文解字序》),经历着一个漫长的抽象过程。人们最初都在用自己尽可能认识、理解世界的方式来对万事万物自然现象与过程命名、解释。《周易》中的八卦图就是一
As a product and embodiment of Chinese culture, Chinese calligraphy and painting is deeply rooted in the vast and profound cultural soil of our country. The abstract meaning of Chinese culture from the very beginning gave Chinese painting and calligraphy creation, appreciation and criticism with mysticism. Human ancestor’s understanding of the world from the ancestors of the knot memoir to the beginning of the Cangjie bird beast track record, from the Banpo surface fish pattern to “take the body, far from all things, so as” easy “gossip, To vertical Constitution ”(Xu Shen“ Explain Word Order ”), go through a long process of abstraction. People initially use their own understanding of the world as much as possible to understand the world’s natural phenomena and processes of all things naming and interpretation. The Eight Diagrams in The Book of Changes is one