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一2011年仲春,中国话剧理论与历史研究会常务理事会在昆明云南艺术学院召开。在这次会上我与王延松先生有过一次聚谈,话题主要是此前我带着研究生库慧君在北京中国传媒大学开曹禺的研讨会期间曾在北京人艺小剧场观看的由延松导演的天津人艺版《原野》。当时我的一个在解放军艺术学院工作的研究生偷偷录下了全场演出,虽然光线效果并不是很好,但我后来在给历届研究生上戏剧美学课时都会讲到这个剧目延松的导演成就,尤其是延
In 2011 Zhongchun, the Standing Committee of the Chinese Drama Theory and History Seminar was held in Kunming Yunnan Art Institute. At this meeting, I had a talk with Mr. Wang Yansong. The main topic of the talk was mainly directed by Mr. Yoo Song, who was previously a graduate student at the Beijing Art Theater. During the seminar held by Cao Hui Yu at the Communication University of China in Beijing, Tianjin Arts Edition “Wilderness.” At that time, one of my graduate students working at PLA Art Academy secretly recorded the audience’s performance. Although the lighting effects were not very good, I later talked about the director’s achievement in this drama, Is delayed