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莱辛,被誉为“德国民族的作家”在18世纪上半叶代表新兴的市民阶级向贵族阶级式经典戏剧“三一论”提出挑战,大胆提出了自己新的新剧理论,认为德国应当有属于自己民族的戏剧,他的民族文学对争取德国民族统一起了重大作用。本文通过其杰出市民悲剧代表作《爱米丽雅·迦洛蒂》中主要女性角色迦洛蒂及其她女性形象分析来突出弱小市民阶层对封建制度的无力道德反抗及18世纪德国新兴资产阶级政治上的妥协性和思想上的软弱性。
Lessing, known as “the writer of the German nation,” challenged the emerging civic class to aristocratic classics “Trinity” in the first half of the eighteenth century and boldly proposed his own new theory of drama , That Germany should have its own national drama, his national literature for the German national reunification has played a significant role. This article through the outstanding citizen tragedy masterpiece “Emilia Garolitti” main female role in the analysis of Gallotti and her female images to highlight the weak civic class on the feudal system of powerless resistance and the eighteenth century German new bourgeois politics Compromise and ideological weakness.