论文部分内容阅读
俄国作家契诃夫,一天和友人饮茶时,话题扯到怎样用简洁的语言来描绘人物的肖像上,他只说了一句:“这人穿着花格子衬衫.”今天的读者是不大会想到,这正是十九世纪末俄国那种游手好闲的破落的纨袴子弟的形象.外形是理解人物的钥匙,刻画人物时往往也从人物的肖像开始,而我们在肖像描写时总是不知不觉地把注意力放在人物的容貌和姿态上,恰恰忽略很有表现力的衣着.说到衣着,总让人忘不掉孔乙己那件"又脏又破,似乎十多年没有补,也没有
When the Russian writer Chekhov teas his friends and teas for a day, he talks about how to use simple words to describe the portrait of a person. He only said: “This man is wearing a plaid shirt.” Today’s readers are not The congress thought that this is the image of the slovenly-fazed deaf brother of Russia at the end of the 19th century. The appearance is the key to understanding the character. When depicting the character, it often starts from the portrait of the character. When we describe the portrait, we always know it. Emphasizing attention to the character’s appearance and posture, it is precisely to ignore the expressive clothing. When it comes to clothing, people can never forget Kong Yiji’s piece, which is dirty and broken, it seems that there is no supplement for more than ten years. ,nor