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在仙霓社结束之后,传字辈师兄弟各奔前程,各自谋生。朱传茗、沈传芷、张传芳夹着笛子,上门为曲友拍曲。郑传鉴在越剧界当技导,华传浩改唱京剧,周传瑛、王传淞改唱苏剧,汪传钤、方传芸改唱滑稽,周传沧摆测字摊,王传蕖卖葱姜,最惨的赵传珺,饥寒交迫,饿死在南市街头。鼓师赵金虎,走投无路,卧轨自杀。这是昆剧传字辈历史中最为悲惨的一页。解放后,传字辈得到了真正的尊重。1954年3月,华东戏曲研究院(即上海戏曲学校前身)开设昆剧演员训
After the end of Xian Ni Society, the legendary generation brothers go their own ways, their livelihood. Zhu Chuan Ming, Shen Zhizhi, Zhang Chuanfang caught flute, come to the song for the song. Zheng Chuanjian in the Yue Opera world as a guide, Hua Chuanhao change to sing Peking Opera, Chuan Ching Ying, Wang Chuan Song to sing Su drama, Wang Chuan Song, Fang Chuan Yun to sing funny, Zhou Chuan Cang measured stalls, Chuan Wang sell onion ginger, the worst Zhao Chuan Jun, hunger and cold hunger Street in Nanshi. Zhao Jinhu Drummer, desperation, lying on track commit suicide. This is the most tragic page in the history of Kunqun elders. After liberation, preachers have been truly respected. March 1954, East China Opera Research Institute (that is, the predecessor of Shanghai Opera School) Kun opera actor training