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元杂剧《西厢记》,其故事可以追溯到唐元稹的传奇《莺莺传》。自故事形成后,历朝历代都有改写和不同艺术形式的展现。数百年来,单从王实甫的《西厢记》看,人们在欣赏崔莺莺与张生二人爱情、佩服红娘大方勇敢的同时,似乎都会把批判的矛头指向崔老夫人,认为她是一个背信弃义、顽固不化的封建捍卫者。文章旨在《西厢记》从传奇、戏曲到电影的不同的文学样式浅析老夫人的艺术形象。
Yuan drama “The West Chamber”, the story can be traced back to the legend of Tang Yuanyuan “Yingying Biography.” Since the story was formed, the dynasties have been rewritten in different ages and different forms of art. For hundreds of years, from Wang Shih-fu’s The Romance of West Chamber alone, people admire the love of Cui Yingying and Zhang Sheng, admiration for the elegant and courageous matchmaker, and all seem to point the criticism to Cui’s old lady, thinking that she is a treacherous and stubborn Undefeated feudal defenders. The article aims to analyze the art image of Madame Lama from the different literary styles of Romance, Drama and Movie.