国内西画各科教材中的作画步骤均奉行“从整体到局部”的原则,并附有“示范性”极强的步骤图,以致于造成作画步骤的单一性。本文在肯定这种作画步骤的同时,也指出该“步骤”存在的不足,并重点论述“从局部到整体”的画法,再列举大师的作品进行证明。最后讲“整体入手”与“局部入手”的不可分割性,以倡导两种手段之并用,使作画步骤由单一化走向多样化。 The painting steps in all the textbooks in the Western Civilization practice the principle of “from the whole to the part”, accompanied by extremely “step-by-step” demonstrative steps that result in the unity of the painting steps. In affirming the painting steps, this article also points out the shortcomings of the “steps”, and focuses on the “from the part to the whole” painting method, and then lists the works of masters to prove. Lastly, I talk about the indivisibility of “starting with the whole” and “starting with the locality”, in order to advocate the combination of the two means so as to diversify the painting steps from a single type to a single type.