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“物化”是中国古代美学的一个重要范畴,它强调的是创作主客体的浑然一体的内在联系,是文学艺术的最高境界。哲学上的物化指人的思想通过实践变成现实存在,也就是思想观念转化成具有物质形态的对象性存在。文学创作活动中的物化阶段,其突出强调在美学意义上审美创作主客体的浑然一体的境界。“物化”反映了艺术创造的普遍规律,具有重要的理论价值。
“Materialization ” is an important category of ancient Chinese aesthetics, which emphasizes the seamless integration of the subject and the object and the highest level of literature and art. The philosophical materialization refers to the fact that the human thought has become reality through practice, that is, the conversion of the idea into the object existence with the material form. The stage of materialization in literary creation activity emphasizes the seamless unity of the subject and the object of aesthetic creation in the aesthetic sense. “Materialization ” reflects the universal law of art creation and has important theoretical value.