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华夏审美意识的起源，与一些较为抽象的范畴及概念的萌芽、完善和发展有着密切的关系，如对“圆”的执著、对“道”与“器”的体认、对“虚”与“实”的思考，以及对“阴”与“阳”的抽象等。这些概念不仅成为后来中国美学史的重要范畴，同时也成为了中国哲学史的重要范畴。然而追根溯源，这些观念早在史前时代就已经萌芽，并与陶器的产生和发展形成了密切的关系。
The origin of the aesthetic consciousness of China is closely related to the germination, perfection and development of some abstract categories and concepts such as attachment to “circle”, recognition of “Tao” and “device” “Real” thinking, as well as the “Yin” and “Yang” abstract and so on. These concepts not only become an important category of later Chinese aesthetic history, but also become an important category of the history of Chinese philosophy. However, tracing the source, these concepts as early as the prehistoric era has germinated, and the formation and development of pottery formed a close relationship.